Ir para o menu de navegação principal Ir para o conteúdo principal Ir para o rodapé
##common.pageHeaderLogo.altText##

DOSSIÊ TEMÁTICO - COGNIÇÃO E EDUCAÇÃO MUSICAL

v. 13 (2025): Percepta - Revista de Cognição Musical

O Aprendizado do Canto e Neuroplasticidade: Feedback Auditivo-motor, Interferência Neural e Adaptação a Diferentes Estilos Vocais

DOI
https://doi.org/10.34018/2318-891X.13e025014
Enviado
março 17, 2025
Publicado
23.01.2026

Resumo

Este estudo investiga o papel da neuroplasticidade através do Feedback Auditivo-motor e Interferência Neural no aprendizado do canto e os desafios relacionados à transição entre diferentes estilos vocais. A partir de uma revisão narrativa de literatura, são analisados os mecanismos neuromotores, auditivos e cognitivos que regulam a voz cantada, com ênfase na interferência neural e no feedback auditivo-motor gerado pela especialização em um único estilo durante o aprendizado. Fundamentado em referenciais de neurociência aplicada à música, voz e cognição motora, o artigo explica que o fortalecimento de padrões motores específicos para um estilo vocal dificulta a adaptação estilística, exigindo reconfiguração dos circuitos motores e auditivo-motores. Como conclusão, destaca-se a necessidade de estratégias pedagógicas que favoreçam a flexibilidade vocal, além da recomendação de estudos experimentais com técnicas de neuroimagem para validar os processos descritos.

Referências

  1. Aaen, M., McGlashan, J., Christoph, N., & Sadolin, C. (2024). Extreme Vocal Effects Distortion, Growl, Grunt, Rattle, and Creaking as Measured by Electroglottography and Acoustics in 32 Healthy Professional Singers. Journal of Voice, 38(3), 795.e21-795.e35. https://doi.org/10.1016/j.jvoice.2021.11.010
  2. Alemi, R., Lehmann, A., & Deroche, M. L. D. (2023). Changes in Spoken and Sung Productions Following Adaptation to Pitch-shifted Auditory Feedback. Journal of Voice, 37(3), 466.e1-466.e15. https://doi.org/10.1016/j.jvoice.2021.02.016
  3. Bartoskova, M. (2024). The Role of the Vagus Nerve in Speaking and Singing. Voice and Speech Review, 1–16. https://doi.org/10.1080/23268263.2024.2416265
  4. Behroozmand, R., Johari, K., Bridwell, K., Hayden, C., Fahey, D., & den Ouden, D. B. (2020). Modulation of vocal pitch control through high-definition transcranial direct current stimulation of the left ventral motor cortex. Experimental Brain Research, 238(6), 1525–1535. https://doi.org/10.1007/s00221-020-05832-9
  5. Belyk, M., Brown, R., Beal, D. S., Roebroeck, A., McGettigan, C., Guldner, S., & Kotz, S. A. (2021). Human larynx motor cortices coordinate respiration for vocal-motor control. NeuroImage, 239. https://doi.org/10.1016/j.neuroimage.2021.118326
  6. Belyk, M., & Kotz, S. A. (2025). The right sound at the right time: Cerebellar and ventral striatal involvement in imitating pitch and timing. Journal of Neurolinguistics, 74. https://doi.org/10.1016/j.jneuroling.2024.101243
  7. Bradshaw, A. R., Wheeler, E. D., McGettigan, C., & Lametti, D. R. (2025). Sensorimotor learning during synchronous speech is modulated by the acoustics of the other voice. Psychonomic Bulletin & Review, 32(1), 306–316. https://doi.org/10.3758/s13423-024-02536-x
  8. Brar, G., Silverstein, E., Zheng, M., Castro, M. E., Goldsworthy, R., Helding, L., & Johns, M. M. (2023). Perceptions of Vocal Performance Impairment in Singers with and without Hearing Loss. Journal of Voice, 37(6), 972.e1-972.e8. https://doi.org/10.1016/j.jvoice.2021.06.021
  9. Chen, W., Woo, P., & Murry, T. (2017). Vocal Fold Vibration Following Surgical Intervention in Three Vocal Pathologies: A Preliminary Study. Journal of Voice, 31(5), 610–614. https://doi.org/10.1016/j.jvoice.2017.02.006
  10. Crocco, L., McCabe, P., & Madill, C. (2020). Principles of Motor Learning in Classical Singing Teaching. Journal of Voice, 34(4), 567–581. https://doi.org/10.1016/j.jvoice.2018.12.019
  11. Dai, B., McQueen, J. M., Terporten, R., Hagoort, P., & Kösem, A. (2022). Distracting linguistic information impairs neural tracking of attended speech. Current Research in Neurobiology, 3. https://doi.org/10.1016/j.crneur.2022.100043
  12. Dayme, M. (2009). Dynamics of the Singing Voice (5 edition, Org.). Springer-Verlag.
  13. Duffy, J. R. (2019). Motor Speech Disorders Substrates, Differential Diagnosis, and Management (4th ed). Elsevier Mosby.
  14. Frank H. Netter. (2022). Netter Atlas of Human Anatomy: Classic Regional Approach (8th Edition). Elsevier.
  15. Frühholz, S., Trost, W., Constantinescu, I., & Grandjean, D. (2020). Neural Dynamics of Karaoke-Like Voice Imitation in Singing Performance. Frontiers in Human Neuroscience, 14. https://doi.org/10.3389/fnhum.2020.00135
  16. Gärtner, K., & Gutschalk, A. (2021). Auditory cortex activity related to perceptual awareness versus masking of tone sequences. NeuroImage, 228. https://doi.org/10.1016/j.neuroimage.2020.117681
  17. Greenspon, E. B., Pfordresher, P. Q., & Halpern, A. R. (2017). Pitch Imitation Ability in Mental Transformations of Melodies. Music Perception, 34(5), 585–604. https://doi.org/10.1525/mp.2017.34.5.585
  18. Guenther, F. H. (2016a). Auditory Feedback Control. Em Neural Control of Speech (p. 153–176). The MIT Press. https://doi.org/10.7551/mitpress/10471.003.0007
  19. Guenther, F. H. (2016b). Feedforward Control. Em Neural Control of Speech (p. 193–220). The MIT Press. https://doi.org/10.7551/mitpress/10471.003.0009
  20. Guenther, F. H. (2016c). Neural Control of Speech. The MIT Press. https://doi.org/10.7551/mitpress/10471.001.0001
  21. Guenther, F. H. (2016d). Neural Structures Involved in Speech Production. Em Neural Control of Speech (Vol. 1, p. 37–92). The MIT Press. https://doi.org/10.7551/mitpress/10471.003.0004
  22. Guenther, F. H. (2016e). Overview of Speech Motor Control. Em Neural Control of Speech (p. 93–120). The MIT Press. https://doi.org/10.7551/mitpress/10471.003.0005
  23. Guenther, F. H. (2016f). Somatosensory Feedback Control. Em Neural Control of Speech (p. 177–192). The MIT Press. https://doi.org/10.7551/mitpress/10471.003.0008
  24. Hakanpää, T., Waaramaa, T., & Laukkanen, A. M. (2019). Emotion Recognition From Singing Voices Using Contemporary Commercial Music and Classical Styles. Journal of Voice, 33(4), 501–509. https://doi.org/10.1016/j.jvoice.2018.01.012
  25. Harris, I., Niven, E. C., Griffin, A., & Scott, S. K. (2023). Is song processing distinct and special in the auditory cortex? Nature Reviews Neuroscience, 24(11), 711–722. https://doi.org/10.1038/s41583-023-00743-4
  26. Hughes, D., & Knowles, J. (2024). The technologically mediated voice: Captured and processed contemporary singing. Journal of Popular Music Education, 8(2), 219–237. https://doi.org/10.1386/jpme_00143_1
  27. Jennings, C. A. (2014). Belting is beautiful [University of Iowa]. https://doi.org/10.17077/etd.l88uzhug
  28. Kadiri, S. R., Alku, P., & Yegnanarayana, B. (2020). Analysis and classification of phonation types in speech and singing voice. Speech Communication, 118, 33–47. https://doi.org/10.1016/j.specom.2020.02.004
  29. Kazi, A. A., Yu, C., Vahidi, N. A., Donnell, C., & Moore, J. E. (2023). Longitudinal Assessment of Singing Students. Journal of Voice, 37(1), 145.e19-145.e21. https://doi.org/10.1016/j.jvoice.2020.12.026
  30. Kervin, S. R. (2023). The Key to Singing Off-Key: The Trained Singer and Pitch Perception Distortion. Journal of Voice. https://doi.org/10.1016/j.jvoice.2022.12.016
  31. Kim, J. H., & Larson, C. R. (2019). Modulation of auditory-vocal feedback control due to planned changes in voice fo. The Journal of the Acoustical Society of America, 145(3), 1482–1492. https://doi.org/10.1121/1.5094414
  32. Kleber, B., Veit, R., Birbaumer, N., & Lotze, M. (2007). Neural correlates of professional classical singing.
  33. Krakauer, J. W., Hadjiosif, A. M., Xu, J., Wong, A. L., & Haith, A. M. (2019). Motor Learning. Em Comprehensive Physiology (p. 613–663). Wiley. https://doi.org/10.1002/cphy.c170043
  34. Leppävuori, M., Lammentausta, E., Peuna, A., Bode, M. K., Jokelainen, J., Ojala, J., & Nieminen, M. T. (2021). Characterizing Vocal Tract Dimensions in the Vocal Modes Using Magnetic Resonance Imaging. Journal of Voice, 35(5), 804.e27-804.e42. https://doi.org/10.1016/j.jvoice.2020.01.015
  35. Lester-Smith, R. A., Kim, J. H., Hilger, A., Chan, C.-L., & Larson, C. R. (2023). Auditory-Motor Control of Fundamental Frequency in Vocal Vibrato. Journal of Voice, 37(2), 296.e9-296.e19. https://doi.org/10.1016/j.jvoice.2020.12.049
  36. MacLean, J., Stirn, J., Sisson, A., & Bidelman, G. M. (2024). Short- and long-term neuroplasticity interact during the perceptual learning of concurrent speech. Cerebral Cortex, 34(2). https://doi.org/10.1093/cercor/bhad543
  37. McFarland, D. H. (2008). Anatomia em Ortofonia: Palavra, Voz e Deglutição. Lusociência/Lusodidacta.
  38. Moisseinen, N., Särkämö, T., Kauramäki, J., Kleber, B., Sihvonen, A. J., & Martínez-Molina, N. (2023). Differential effects of ageing on the neural processing of speech and singing production. Frontiers in Aging Neuroscience, 15. https://doi.org/10.3389/fnagi.2023.1236971
  39. Ning, L.-H. (2025). The impact of musical expertise and directional isotropy on the proportions and magnitudes of pitch-shift responses in glissandos. Frontiers in Psychology, 15. https://doi.org/10.3389/fpsyg.2024.1332028
  40. Nudo, R. J. (2013). Recovery after brain injury: mechanisms and principles. Frontiers in Human Neuroscience, 7. https://doi.org/10.3389/fnhum.2013.00887
  41. Nusseck, M., Immerz, A., Spahn, C., Echternach, M., & Richter, B. (2021). Long-Term Effects of a Voice Training Program for Teachers on Vocal and Mental Health. Journal of Voice, 35(3), 438–446. https://doi.org/10.1016/j.jvoice.2019.11.016
  42. Partesotti, E., Feitosa, J. A., Manzolli, J., & Castellano, G. (2025). Stimulating neuroplasticity: Therapeutic applications of an extended digital musical instrument. Nordic Journal of Music Therapy, 34(1), 62–80. https://doi.org/10.1080/08098131.2024.2445824
  43. Patel, S., Hebert, K., Korzyukov, O., & Larson, C. R. (2023). Effects of sensorimotor voice training on event-related potentials to pitch-shifted auditory feedback. PLOS ONE, 18(1), e0269326. https://doi.org/10.1371/journal.pone.0269326
  44. Pitkäniemi, A., Särkämö, T., Siponkoski, S.-T., Brownsett, S. L. E., Copland, D. A., Sairanen, V., & Sihvonen, A. J. (2023). Hodological organization of spoken language production and singing in the human brain. Communications Biology, 6(1), 779. https://doi.org/10.1038/s42003-023-05152-y
  45. Reed, C. N., Pearce, M., & McPherson, A. (2024). Auditory imagery ability influences accuracy when singing with altered auditory feedback. Musicae Scientiae, 28(3), 478–501. https://doi.org/10.1177/10298649231223077
  46. Saxon, K., & Scheider, C. M. (1995). Vocal Exercise Physiology (1o ed). Singular Publishing Group Inc.
  47. Scott, S. K. (2022). The neural control of volitional vocal production - From speech to identity, from social meaning to song. Em Philosophical Transactions of the Royal Society B: Biological Sciences (Vol. 377, Número 1841). Royal Society Publishing. https://doi.org/10.1098/rstb.2020.0395
  48. Shembel, A. C., & Nanjundeswaran, C. (2025). Potential Biophysiological Mechanisms Underlying Vocal Demands and Vocal Fatigue. Journal of Voice, 39(1), 281.e1-281.e10. https://doi.org/10.1016/j.jvoice.2022.07.017
  49. Sielska-Badurek, E. M., Sobol, M., Olszowska, K., & Niemczyk, K. (2018). Contemporary Commercial Music Singing Students—Voice Quality and Vocal Function at the Beginning of Singing Training. Journal of Voice, 32(6), 668–672. https://doi.org/10.1016/j.jvoice.2017.08.027
  50. Sihvonen, A. J., Pitkäniemi, A., Siponkoski, S.-T., Kuusela, L., Martínez-Molina, N., Laitinen, S., Särkämö, E.-R., Pekkola, J., Melkas, S., Schlaug, G., Sairanen, V., & Särkämö, T. (2024). Structural Neuroplasticity Effects of Singing in Chronic Aphasia. eneuro, 11(5), ENEURO.0408-23.2024. https://doi.org/10.1523/ENEURO.0408-23.2024
  51. Simonyan, K., & Horwitz, B. (2011). Laryngeal motor cortex and control of speech in humans. Neuroscientist, 17(2), 197–208. https://doi.org/10.1177/1073858410386727
  52. Staunton, D., & Brennan, A. (2024). Brain Health for Learning (D. Staunton & A. Brennan, Orgs.). Peter Lang Verlag. https://doi.org/10.3726/b20604
  53. Sundberg, J., Thalén, M., & Popeil, L. (2012). Substyles of Belting: Phonatory and Resonatory Characteristics. Journal of Voice, 26(1), 44–50. https://doi.org/10.1016/j.jvoice.2010.10.007
  54. Taheri, A. (2024). The partial upward migration of the laryngeal motor cortex: A window to the human brain evolution. Brain Research, 1834. https://doi.org/10.1016/j.brainres.2024.148892
  55. Unterhofer, C., Buchberger, A. M. S., Jeleff-Wölfler, O., Mansour, N., & Graf, S. (2020). Laryngeal and Pharyngeal Movements During Inner Singing: A Cross-Sectional Study. Journal of Voice, 34(5), 807.e1-807.e9. https://doi.org/10.1016/j.jvoice.2019.02.011
  56. Unterhofer, C., Marscheider, J., Auer, S., Jeleff-Wölfler, O., & Graf, S. (2023). Prevalence of Dysphonia in Metal Singers and the Impact of Vocal Education: A Subjective Analysis. Journal of Voice. https://doi.org/10.1016/j.jvoice.2022.12.004
  57. Van Hedger, S. C., Halpern, A. R., Vollweiler, D. J., Smith, E. E., & Pfordresher, P. Q. (2024). Is Hey Jude in the right key? Cognitive components of absolute pitch memory. Memory & Cognition, 52(5), 1142–1151. https://doi.org/10.3758/s13421-024-01530-x
  58. Wang, A., Zhang, W., Chang, C., Tang, X., & Zhang, M. (2025). Long-term exercise training reduced the sound-induced flash illusion in multisensory illusions owing to the cerebellum. Consciousness and Cognition, 128, 103805. https://doi.org/10.1016/j.concog.2024.103805
  59. Waters, S., Kanber, E., Lavan, N., Belyk, M., Carey, D., Cartei, V., Lally, C., Miquel, M., & McGettigan, C. (2021). Singers show enhanced performance and neural representation of vocal imitation. Philosophical Transactions of the Royal Society B: Biological Sciences, 376(1840). https://doi.org/10.1098/rstb.2020.0399
  60. Wöstmann, M., Maess, B., & Obleser, J. (2021). Orienting auditory attention in time: Lateralized alpha power reflects spatio-temporal filtering. NeuroImage, 228. https://doi.org/10.1016/j.neuroimage.2020.117711
  61. Zarate, J. M. (2013). The neural control of singing. Frontiers in Human Neuroscience, 7. https://doi.org/10.3389/fnhum.2013.00237
  62. Zeng, K., Drummond, N. M., Ghahremani, A., Saha, U., Kalia, S. K., Hodaie, M., Lozano, A. M., Aron, A. R., & Chen, R. (2021). Fronto-subthalamic phase synchronization and cross-frequency coupling during conflict processing. NeuroImage, 238. https://doi.org/10.1016/j.neuroimage.2021.118205
  63. Zuim, A. F., Stewart, C. F., & Titze, I. R. (2024). Vocal Dose and Vocal Demands in Contemporary Musical Theatre. Journal of Voice, 38(1), 53–68. https://doi.org/10.1016/j.jvoice.2021.08.006

Artigos Semelhantes

<< < 1 2 3 4 5 6 7 8 9 10 > >> 

Você também pode iniciar uma pesquisa avançada por similaridade para este artigo.