The present article attempts to give an outline about the generation of expec- tations in Musicwith a focus on rhythmic dimension. Starting from an evolu- tionary thinking, its processes is discussed briefly by prospects related to Biology, Physiology, Sociology and Psychology, seeking explanations of their origins and functioning. Following are considered factors linked to temporal and auditory perception regarding their importance on the predictability of future events. And finally, we present the psychological processes involved in generating expectations of Music, seeking to clarify aspects related to experimental research and raise concisely perceptual characteristics in rhythm.
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